In this part we will continue our journey through the history of mind control with the early 1980’s and forward, a time-period where consumerism, materialism, and the chase of wealth and possessions took off from TV and music programming, as well as president Reagan’s Reaganomics.
In part 7 we mentioned the introduction of a ‘golden age’ as an extension to the Cultural Marxist pop culture of worshiping celebrities, stars, and icons instead of the old priesthood of the church, which now extended to the materialistic concept of money, luxury, and fame through the programming of tv soaps like Dynasty and Dallas. This went hand-in-hand with the Hollywood actor and political puppet Ronald Reagan playing the role of the US president from 1981 to 1989, a period of prosperity and growth, intensifying the mantra of the American Dream, and luring people into consuming without thinking and putting themselves in debt. It was also a continuation of splitting the core family that was initiated in the 60’s, as living slowly became more expensive and people clung to the new idea of possessing materialistic nonsense and ‘making it big,’ forcing both parents to work harder and climbing the ladder of careers and the illusion of success, effectively leaving their children in the hands of the state’s brainwashing institutes, as in the educational system with kindergartens, pre-school, and so on. This effectively sped up the programming of future generations and thus all their agendas and movements leading towards their vision of a One World Religion, a One World Currency, and a One World Order.
That is why Ronald Reagan, unlike previous presidents who played the role of Roman Emperors, became the archetype and the president that could fix the economy in an economic crisis, just like a scientist coming up with a new impressive theory, hence the buzzword Reaganomics, or Reaganism.
The Reagan administration also funded the “freedom fighters” Mujahideen in Afghanistan as part of CIA’s Operation Cyclone to allegedly ‘repel’ Soviet forces, while it was all about getting total control of the drug trafficking.
This is also what led to the escalation of Richard Nixon’s ‘War on Drugs’ during Reagans presidency, which really took of in 1989 when Jesuit William Bennet, who previously had been the Education Secretary of Ronald Reagan, became the head of the War on Drugs to combat illegal narcotics.
This thesis-antithesis simply meant that the Jesuit-controlled drug trade now extended to the State, with the use of military, special forces and the Freemasonic police, all while cracking down on small fry dealers and drug users, providing free slave labor for the flourishing prison industry.
The late 70’s and early 80’s also saw the birth of the cultural Marxist program of Hip Hop and Rap to exploit black artists, control the ‘black population,’ and further the multicultural agenda. Hip Hop was immediately used to promote division and racism by targeting the black population and promoting the ‘gangster lifestyle,’ as in violence, crime, murder, selling and use of drugs like cocaine, moral relativism, degradation of women (as whores,) to provide bad role models for children (aspirational programming towards crime and luxury items) and normalize sodomy, transgenderism, pedophilia and satanism (as all Hip Hop and Rap music videos contain extreme amounts of Saturnian, Masonic and Crowleyan/Satanic symbolism.)
As with other music genres and mind control programs designed to desensitize the majority of the population to their agendas and symbolism, Hip Hop and Rap uses a lot of subliminal- and neuro-linguistic programming to deliberately construct specific triggers through keywords and phrases.
The 80’s also saw the fake psy-op of HIV/AIDS to further the virus lie of transmittable diseases, as well as making people afraid of each other. It was an early test-run of what would be the staged and fake Coronavirus pandemic in 2020. “AIDS” comes from the Greek ‘Aides,’ as in Hades, the god of death and the dead in the underworld.
In 1983 we saw the TV miniseries ‘V’ of alien reptile-like visitors trying to gain control of Earth. It was followed up with a three-part sequel in 1984 and then as a TV-series during 1984 to 1985. The series introduced the fictional concept of reptilian overlords to the public while showing us a lot of symbolism, including a version of the Flat Earth psy-op. It also served, just like Star Wars and Star Trek, as a conditioning tool for the fake heliocentric model and fake space, of aliens, and the Earth as this vulnerable little ball, which was part of the Green Climate agenda.
The 80’s was also the era of the first real home computers. In the Orwellian year of 1984, as in the Saturn number of 42 added to itself, and Uranus having an alleged orbit of 84 years, the planet representing unconventional ideas that will rule the age of Aquarius, we saw the idea of constant surveillance through telescreens as Apple aired it’s ‘1984’ dystopian commercial during Super Bowl ZVIII, introducing its Macintosh computer. The commercial begins with the setting of a dystopian, totalitarian industrial world in grey colors with a line of people marching in unison through a long tunnel monitored by a string of telescreens. It then switches to the ‘runner’ carrying a sledgehammer filmed in full color who is hunted by four officers of the ‘thought police,’ all while a Big Brother-like figure begins a speech on all the telescreens. The runner with the cubist picture of the Macintosh on her tank top, like a commercialized female Venus representation of Lucifer the Lightbringer, swings and throw the hammer of father Jupiter at the Big Brother-screen destroying it, enlightening the masses (humans becoming the all-knowing God through the Apple Macintosh.)
This commercial was not only a jest at Orwell’s 1984, it was also mocking and revelation of the method, as Apple plays a big role in the Luciferian transhumanist agenda and imposing the totalitarian surveillance One World Order, which today is openly being implemented through United Nations and WHO.
1984 is also the year when mind-controlled director James Cameron’s movie The Terminator screened, featuring actor and political puppet Arnold Schwarzenegger. Both Cameron and Schwarzenegger were used to push the transhumanist agenda in the 80’s and 90’s, the Saturn cult’s idea of becoming ‘gods’ through technology (but for the regular citizen it means total enslavement through technology and 24/7 surveillance and monitoring.)
Arnold also played the archetypal action movie hero during the 80’s and early 90’s. He is a freemason and is controlled by the Austrian elite-family house of Habsburg-Schwarzenberg through the Schwarzenberg who resides in the US and are members of the Bohemian Club and Skull and Bones.
In 1985 mind-controlled director Robert Zemeckis releases ‘Back to the Future’ about 88 portal time travel with references to Project Bluebird and predictive programming of the 9/11 ritual and the election of Donald Trump as the bully Biff. In gematria, Trump sums to 88 in the most common simple English cipher.
The 80’s also saw the director Oliver Stone rising to fame with his 1983 movie Scarface, the 1986 movie Platoon, the 1987 movie Wall Street, and 1989 movie Born on the Fourth of July. Oliver Stone is used to push the gay-transgender agenda and to play the role of controlled opposition as a controversial conspiracy theorist.
Scarface featured Al Pacino as a poster boy for a criminal, violent lifestyle in the drug economy with the same aspirational programming we see in Hip Hop with the rags-to-riches American Dream of being on top of the pyramid; being powerful, owning all the toys and with money to spare. As for the title of Scarface, scarring has always been a way to worship and mimic the fictional image of an ‘reptilian elite.’ Scarface is also a masonic title (Horus was scarred because he had his eye taken out by Set,) and the movie Scarface is filled with masonic symbolism and many Rappers have imitated the iconic bathtub scene.
In 1986 we saw Scientologist Tom Cruise rise to stardom with the movie Top Gun followed by Rain Man in 1988 with his role as Charlie Babbit, like ‘rabbit’ with Alice in Wonderland programming.
1986 also saw the scandal of alleged satanic ritualistic sexual abuse at the Presidio army base daycare center of more than 37 children as part of the 80’s ‘satanic panic’ media programming, an ongoing agenda to desensitize the public to satanism and ritual abuse.
In 1989, Ronald Reagan was replaced by Skull and Bones freemason, Knight of Malta, and Bohemian Club and Phi Beta kappa member George H.W. Bush, another puppet of the right-wing illusion.
George H.W. Bush, due to his famous ‘New World Order’ speech and his connection to the Council on Foreign Relations, The Rockefellers, and the Bohemian Club, he was used as an archetypical globalist villain reference for controlled opposition such as Alex Jones and David Icke.
Bush enforced the Immigration Act and continued the War on Drugs and even included Anabolic Steroids to set the new high-morale for the right-wing doctrine of ‘fair play.’ This later became a reaction of opposites in the left-wing movement, that rooted for transgender men to compete as women, literally destroying women sports (and thus destroying the right-wing ideal of fairness.)
We also saw the Berlin Wall fall in 1989, which was an alchemical ritual symbolizing the marriage of uniting the twins, the opposites, into one. This, of course, happened on the 9th of November, like 9/11, another Revelation 9:11-ritual.
From 1990 to 1995, Dr. Rick Strassman conducted U.S. Government-approved and funded clinical research at the University of New Mexico in which he injected sixty volunteers with DMT, one of the most powerful psychedelics known.
During the late 80’s a sub-genre of Punk Rock is promoted by MTV as ‘Alternative Rock,’ it takes off in the early 90’s with Red Hot Chili Peppers’ 1991 album, “Blood Sugar Sex Magik with Rosicrucian symbolism on the cover. Red Hot Chili Peppers are used in the 90’s and 2000’s to desensitize and normalize heroin and cocaine use/addiction and pedophilia, hence the ‘sex magik’ album referencing to the sodomy sex magik rituals of Aleister Crowley.
Their logo is a play on the 8-pointed star of Isis/Ishtar. It is linked to Venus with a 8-year cycle. That is why today, people associate Greek Aphrodite that Romans equated with their Venus, with Ishtar. Both goddesses represent sexuality and lust, as in sex magik and sodomy.
In early 1990 the Internet, based on Arpanet, becomes the World Wide Web, where Phoenician letter ‘Vav,’ pronounced as ‘W’ in modern Hebrew, became our letter ‘F,’ which is the 6th letter, like 666. Of course, ‘Internet’ also sums to 666 in Sumerian gematria.
While the Internet may seem as a tool of connecting and finding information and sharing thoughts and ideas, its real intent, in contrast to mass media aimed at manipulating the masses, was for personal mind control, for programming each individual. This goal took a long time, requiring a lot of technological advances, and is still evolving through handpicked news and advertisements, censorship and shadow banning, and many other tactics to customize the programming and conditioning for each individual. Especially children are very vulnerable as cartoons, videos, music, and games are all designed with in line with current agendas, such as the gay-transgender agenda and the fake green climate agenda.
Now, to be fair, there were thousands upon thousands of movies, tv-shows, artists, celebrities, music hits, and much more during the 80’s that was part of mind control and to shape and pave the way to the Saturn cult’s preferred future. I’ve left out a lot in all parts of this series, especially this one, and I most likely forgot about just as much, if not more. There will be a part 9 (and maybe a part 10) covering the rest of the 90’s and 2000’s. After that I will start working on complementing the series, adding a lot more events, people and organizations behind the scenes, and turning it into a very cheap book for those interested – and a great gift to wake up friends and family members. It will be much more in-depth than what is presented here, and a great way to support my work and this website.
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