In this part we will continue our journey through the history of mind control with the very busy 1960’s, which were heavily influenced by the Marxist pop culture with fake liberation movements and drugs, and also flirted with the space hoax and climaxed with the staged moon landing.
In part 4 we closed with the year of 1966 and the release of the mind-splitting poster-movie ‘Persona’ by Ingmar Bergman.
On January 14, 1967, the event “Human Be-In” was held in Golden Gate Park, San Francisco, as part of CIA’s Haight-Asbury project. The event was organized by Michael Bowen (Theosophical Society) with Jesuit-trained CIA-agent and psychiatrist Timothy Leary, Jewish CIA provocateur agent Allen Ginsberg (Frankfurt Institute and Tavistock Institute,) and British MI6 agent Alan Watts.
The Human Be-In event was an introduction to the “Summer of Love” media ritual, which made the CIA-controlled Haight-Ashbury district a symbol of American counterculture and introduced the word “psychedelic” to the suburbia. The event focused on the pillars of the hippie counterculture and the Luciferian New Age movement, such as egocentric personal empowerment, cultural and political decentralization, ecological and climate awareness, a faked higher consciousness (with the aid of psychedelic drugs,) acceptance of psychedelics use, and radical New Left political consciousness.
The LSD during the event was supplied by the CIA-agent Owsley Stanley, who was involved in the mind-control and LSD experiments with Ken Kesey and his Merry Pranksters. The music was provided by CIA-developed bands such as Jefferson Airplane, Grateful Dead, and Blue Cheer.
During June of 1967, John Philips, a Laurel Canyon mind-controlled singer, used to normalize hedonism, drug abuse and the gay-transgender agenda arranged the Monterey International Pop Festival in California. The three-day festival featured Haight-Ashbury acts such as Janis Joplin, The Grateful Dead, The Who, Simon and Garfunkel, Eric Burdon, Otis Redding, Buffalo Springfield, Jefferson Airplane, and Jimi Hendrix.
The Monterey festival served as a test and a blueprint by the CIA for the explosion of rock festivals that culminated in Woodstock, and with its crowds of face-painted hippies and the slogan of “music, love and flowers.”
In July of 1967, R.D. Laing of the Tavistock Institute organizes the ‘Dialectics of Liberation Congress,’ a gathering at the Roundhouse Theatre in London of radical intellectuals, psychiatrists and revolutionaries lecturing and debating on a diverse range of leftist issues including the future of capitalism, state violence and dissent, racism, revolution and liberation, and the emerging forms of environmentalism, green issues and radical psychiatry.
John Philips was also used in Cuba during the Cuban revolution with Jesuit-trained Fidel Castro.
1967 was also the year when NASA published the first and very fake photo of the Earth, supposedly taken by the Surveyor 3 lander from the lunar surface, which with modern image software can easily be debunked as a sloppy photo montage. The photo was put on the cover of the CIA-controlled hippie agent Stewart Brand’s Whole Earth Catalog, which was also the start of the Green Movement, as the Earth became associated with this vulnerable little ball floating in the vast empty space.
In September of 1967, ITV broadcasted the Lew Grade’s ITC-produced British tv-series ‘The Prisoner’ in 17 episodes. It was made to normalize the symbolism of mind control, such as masonic black and white checkered floors, umbrella’s, rainbow patterns, and eye signs.
In 1968 The CIA founds the California Institute of Integral Studies (CIIS) in San Francisco. It’s basically a copy of the Esalen Institute founded in 1962, as part of the “human potential movement” of the Satanic New Age Agenda/Movement. They claim to train ‘healers’ and ‘thought-leaders’ through a blend of academic, cultural, spiritual, and philosophic inquiry. CIIS is founded and promoted through names such as CIA-agent and left-wing puppet Angela Davis (Civil Rights Movement and Black Panther Party,) British MI6 agent Alan Watts (used to popularize Buddhism and the agenda of a One World Religion,) Chani Nicolas (gay agenda,) feminist and neopaganism provocateur and author Miriam Simos aka., Starhawk, Jesuit Brian Swimme, and Jesuit Richard Tarnas of the Esalen Institute.
During 1968 a series of protests at Columbia University in New York City were staged by fake students (early crisis actors.) They were pretending to demonstrate against the University’s support of the Vietnam War and did so in alliance with mind-controlled musicians from Columbia Records, as provided by the Jesuit Colonna family.
This staged demonstration sparked several similar student demonstrations around the world that year.
1968 is also the year a group of CIA-funded agents coins the term ‘coronavirus’, with the backstory that, under a microscope, the “virus” they were looking at resembled a solar corona: the bright crown-like ring of gasses surrounding the sun that is visible during a solar eclipse. This step in creating a fake boogeyman for the natural mechanism of our bodies cleaning itself, as in getting the ‘cold’ or the ‘flu,’ goes back to the ancient solar worship of the Saturn cult – the death and rebirth cycle of the sun, inverted to the Black Sun Saturn.
The germ theory and virus hoax is a big part of the mind-control scheme to keep people in fear and to rely on the bogus pharmaceutical industry – the industry that make the most money out of any other for the top families of the Saturn cult. It was also the initial setup for the Coronavirus/Covid-19 hoax and trauma-based mind control ritual of 2020.
In late November of 1968, the movie Joanna is released as a propaganda tool for the MI6 and Tavistock Swinging London project that was initiated in 1965 (part 4 of this series.) Joanna is about a naïve art student in London who has a romantic fling with her teacher during the Swinging Sixties sexual revolution and hedonistic mindset, flirting with the agenda of pedophilia as in young women seeking older men.
Joanna is played by Geneviève Waite, a famous model of the Jesuit fashion magazine Vogue and also married to the mind-controlled CIA-educated singer John Philips.
Also, MGM releases Stanley Kubrick’s ‘2001: A Space Odyssey’, based on The Sentinel and other short stories by Arthur C Clarke. The movie is about monoliths being discovered as a JFK lookalike visits the ‘Clavius Base’ on the moon, followed by a mission to Jupiter, resulting in a Christlike moonchild that would alter the history of mankind, as the next step in human evolution.
The Clavius base was named after Jesuit Christopher Clavius (CC=33.) This movie was early programming of the space hoax, of the looming moon landing, and transhumanism, as well as Artificial Intelligence through the HAL 9000 computer depicted in the movie.
In 1969 the very disturbing novel Charlie and the Chocolate Factory (CC=33) with the character Willy Wonka (WW=33) is published. It is written by British secret service propaganda writer and Freemason Roald Dahl, who also wrote the screenplay for the movie Chitty Chitty Bang Bang (CC=33) with the character the Child Catcher (CC=33) that was released in 1968.
The character Willy Wonka is based on the homosexual Freemason Ludwig II, the duke of Bavaria, also known as the Mad King, the Fairy Tale King, and the Swan King who built the Neuschwanstein castle, which inspired the Disney castle.
The Chocolate Factory is a metaphor for initiation in the mysteries of the masonic twin pillars (Oz, Neverland, Wonderland, Monarch Theatre, etc.) through sodomy. Chocolate refers to the anus and thus to the Eye of Horus.
In July of 1969 one of the biggest media rituals and hoaxes until that date was staged in the fake NASA Moon Landing, featuring the two Freemasons Neil Armstrong and Edwin “Buzz” Aldrin, and Michael Collins with ties to the Jesuit Colonna family. It was part of the staged ‘Space Race’ rivalry between the US and Russia, a part of the Democracy vs. Communism deception, as leftist and Marxist ideals was implemented in the west via mind-control under the illusion of fighting communism.
The fake moon landing was also a big ritual for the Saturn cult. The moon is the “planet” of illusion, which represents the corrupted feminine energy of the earth (worshiped as Isis, Diana, Lilith.) The moon is the consort of Saturn. The rocket symbolizes the male phallus and the lunar crater the female cup.
NASA originated from JPL of satanist Jack Parsons, who performed sex magic rituals to create a moonchild (the Babylon workings, described in Aleister Crowley’s Moonchild.)
A few months later, the Revelation 9:11 Sharon Tate murder ritual is staged, where according to the official story, the pregnant actress Sharon Tate and her friends were murdered by members of the Charles Mason cult family, where Manson was portrayed like an Antichrist figure. This murder supposedly happened in the house of Tate’s husband Roman Polanski, who had made the Antichrist movie ‘Rosemary’s Baby.’
After the Manson murders, a picture is spread of Sharon Tate with a cord around her neck, in the masonic Hanged Man position. This hanged man symbolism also shows up in Polanski’s movies Repulsion, the Ninth Gate, and in Tate’s last movie the Wrecking Crew (WC=33.)
Six days after the Tate ritual, from August 15 to 17, 1969, the Woodstock music festival and publicity stunt was arranged by the CIA; featuring their mind-controlled singers and puppets of the music industry (Laurel Canyon and Haight-Ashbury) to normalize hedonism, drug abuse and the gay-transgender agenda, as a part of the cultural Marxist program (and the ‘everything is permitted’ doctrine of the Luciferian hippie- and sexual revolution agenda.)
Woodstock served as the new blueprint of summer festivals spanning several days with dedicated areas for camping facilities. These festivals and the media coverage were used to “globalize” pop culture in the Age of Aquarius, as in “Pop = pope,” a culture of the Roman Empire, the worship of the Whore of Babylon. In pop culture there is no difference between ‘high’ and ‘low ‘culture. Everything is free, reproduceable, meaningless, a religion of fame, stars, celebrities and icons (Madonna, Paris Hilton, Britney Spears, Justin Bieber, Kim Kardashian, etc.,) a worship of the Image, the Beast.
The Woodstock poster featured the white dove symbol of the Holy Spirit, also seen in the emblem of the Ordo Templi Orientis, an order that practices a Luciferian-gnostic sodomy religion that goes back to the Templars and Cathars.
The festival was opened by yoga guru Swami Satchidananda, an important tool promoted by the New Age movement as a transition to a Luciferian world religion. Also, LSD was distributed during the festival as part of the CIA’s mind control research of MK Ultra.
In the aftermath of Woodstock and the Swinging Sixties, CIA-agent Richard Alpert (Ram Dass) worked on popularizing the yoga trend in the Satanic New Age movement during the early 1970’s. Yoga is allegedly a technique to activate the 7 chakras’, misused by the Saturn cult, to use the pineal gland as a tool of control. Helena Blavatsky of the Theosophical Society and Cecil’s Satanic puppet Aleister Crowley studied Indian yoga techniques and developed their own systems, removing the original intent and replacing it with their own and that of the Saturn Cult, to dissociate, which later on was promoted in the New Age movement by “gurus” like Maharishi Yogi and popularized by Richard Alpert (Ram Dass) and other propaganda outlets like Jesuit-controlled Gaia. Almost all modernized yoga practices of today originates from this false Luciferian version.
And that is all I had time for this morning. In the next part we will continue through the 70’s with Kubrick’s A Clockwork Orange and the Watergate media ritual.