Mind Control: Programming and Conditioning, Part 7

In this part we will continue our journey through the history of mind control with the 1970’s and early 1980’s where the New Age movement continuous to grow, the pop culture evolves and its antithesis, Punk Rock, is invented and implemented on the more eccentric rebellious types of the youth.

In part 6 we ended with 1975 and the book ‘The Invisible Landscape’ by CIA propaganda writer Terence McKenna, one of the agents who evolved the New Age movement with Neo-Paganism and Neo-Shamanism, as in the Ayahuasca trend, DMT, and the use of other psychedelics.

In 1976 William Thetford, who headed the CIA ‘Project MK Ultra Subproject 130: Personality Theory’ during 1971 and 1978, edited and published Helen Schucman’s book ‘A Course in Miracles (ACIM),’ a self-study curriculum in spiritual psychology, which popularized ‘channeling’ in the New Age movement and later became known as ‘The New Age Bible.’
In the New Age movement, another branch of the Saturn cult based on the naïve and blind belief in anything that sound spiritual, the practice of channeling is sold as a shortcut to gaining knowledge, and the selfless offering of your mind and body as a conduit, a communication gateway, for an unknown entity. Originally, these ‘entities’ were considered fallen angels, demons, as Aleister Crowley in 1904 supposedly channeled an entity called Aiwass, who became his master, and dictated the text for Crowley’s ‘Book of the Law’ (aka., ‘Liber AL vel Legis.’) The book was the key source for Crowley’s Satanic religion Thelema and his teachings of ‘Do what thou wilt shall be the whole of the law,’ which is found in the book.

The mind-control pedophilia agenda of sexualizing young teenagers and children continues as Columbia Pictures releases Martin Scorsese’s 1976 movie Taxi Driver with Robert de Niro and Jodie Foster. Taxi Driver is a movie filled with MK Ultra references and symbolism such as the number 42, the Eye of Horus, masonic checkered floors, purple colors (Whore of Babylon) and orange colors (33 and sodomy.) In short, it’s about a ‘Harvey Lee Oswald’ type of lone wolf assassin who fails at dating a woman who works for a presidential candidate (as in a Ronald Reagan reference,) and then becomes obsessed with a young prostitute and the decaying city, of which he considers himself its savior.
Taxi Driver foreshadows the staged and very fake assassination attempt on Ronald Reagan in 1981 by John Hinckley Jr, who allegedly was ‘influenced’ by the movie.

In 1977, around 20.000 documents are released through the so-called Freedom of Information Act; documents that Richard Helms allegedly ‘forgot’ to destroy regarding the CIA’s Project MK Ultra. As always, most of the documents are fake with some little bits of truth to cause more confusion and make the real truths vague, watered down, and mainstream, especially since they are adopted and repeated in pop culture, as in music, cartoons, tv-shows and movies as the ‘fiction’ of mad scientists and evil governments (as we discussed in part 6.)

Also, David Berkowitz (Son of Sam,) who allegedly terrorized NYC for a year and killed six young people, is arrested in August of 1977. David is used as another lone wolf ‘Manchurian Candidate’ serial killer to create the Summer of Sam media ritual (which later became a Disney movie by Spike Lee in 1999.) David claimed to be a member of a Satanic cult and that a dog named Harvey ordered him to kill, a pun on the Harvey Lee Oswald character.

At this time, around 1977, the Cultural Marxist program of Punk Rock began to emerge in New York and London. While pop culture introduced false idols and spurred the youth revolution, Punk Rock served as the antithesis to pop culture (that we discussed in part 4 and part 5) to lure in people on the other side of the axis. Punk Rock was implemented using mind-controlled and drug addicted musicians, to create the very childish mentality of the Aeon of Horus, to express the Uranus energy of rebellion, portraying oneself as an eccentric outsider while being part of a fake antiestablishment movement, distracted with decadence, drug abuse, and nihilism.

Another music genre that slowly took shape during the 70’s and exploded in the early 80’s was Metal, or ‘Heavy Metal,’ another cultural Marxist program of the music industry to normalize satanism (as alchemists use ‘heavy metals’ for poisoning in mind-control and splitting the mind.) It is associated with black clothing and feminine long hair; like the long-haired Tribe of Dan (Hermetic knowledge of the Cathars of south of France) with serpent and scale symbol.

As with all trends invented by social engineers of the CIA, MI6 and other institutions, Punk Rock and Metal was a tool of mass media programming, by creating a ‘social club’ of fake rebellion, with its own set of rules, fashion trends, and expectations. It was a prepackaged identity kit for teenagers who were searching for their own identity, created to define themselves in stark contrast with their parents and their generation.

And as a continuation and evolution of pop culture, the concept of ‘Disco’ also began to emerge in the late 1970’s. Disco was yet another social engineered music trend and cultural Marxist program used to market the fake sexual revolution, roller skating, cocaine, and to push the gay- and transgender agenda with tight glittering clothing and juvenile and sexual inspired dance moves.
Disco was heavily promoted in Playboy, the tv show Soul Train, in lots of night clubs with strobe lights and mirror balls like Studio 54 in NY, and through the movie Saturday Night Fever (1977) with Scientology cult-member John Travolta.

Also, the programming of mind-controlled assassins and ‘Manchurian Candidates’ continues in 1979 as CIA-agent, State Department official, and controlled opposition John D. Marks, who was trained at the elite school of Philips Academy, released the book ‘The Search for the Manchurian Candidate,’ about a brainwashed assassin programmed to kill. The book describes the most sinister activity ever engaged in by an organ of the United States government. Marks claimed the book was the result of reading 16.000 documents previously released in 1977 through the Freedom of Information Act.

In 1980, the science-fiction horror film “Altered States” by Ken Russell, is released, based on the novel of the same name by Paddy Chayefsky. The novel is based on sensory deprivation tank research by John Lilly, the CIA-agent with connections to the Tavistock Institute and Aldous Huxley, and who performed numerous of mind-control experiments during the counterculture of the 1960’s.
The movie features a 5-year-old Drew Barrymore, who was being trained as a sex slave to play the role of the archetype of the Whore of Babylon to promote incest and pedophilia (just like Marilyn Monroe, Jayne Mansfield, Nicole Kidman, Carmen Electra, and others.)

The 1980’s is also the start of a “golden age” as the Disney Family (ABC) and the Jesuit Colonna Family (CBS) program the sleeping masses with materialistic and Luciferian dreams of wealth and fame through the tv soaps Dynasty and Dallas.

Disney and the Jesuit handler Charles Sophy trains the singer-actor Michael Jackson as part of the cultural Marxist ‘Pop’ culture program to further impose the multicultural, pedophilia, and gay- transgender agendas on the masses.
Michael Jackson was conditioned and mind-controlled as part of the Zionist Jehovah’s Witnesses cult using ‘Peter Pan’ programming.
Jehovah’s Witnesses was founded in the 1870’s by the Russel British elite family (of the Fabian Society) with Nelson Barbour in Pennsylvania. They are a branch of the Saturn cult, heavily connected to the Catholic Church and Freemasonry.

In 1981, on July 1st, the Wonderland Murders, also known as Four on the Floor Murders, is staged in the area of the CIA mind-control base of Laurel Canyon, allegedly using Alice in Wonderland programming. It is assumed by the media that five people were targeted to be killed in the well-known drug house of the ‘Wonderland Gang,’ hence the name and the rumors of another Manchurian Candidate killing.

In 1982, the movie ‘Butterfly’ by Matt Climber is released, based on the 1947 novel ‘The Butterfly’ by James M. Cain. The story is set in 1937 Nevada, where silver mine caretaker Jess Tyler is reunited with his teenage daughter Kady. It features incest programming with actress Pia Zadora and Monarch butterfly mind control programming.

In the next part we will continue through the late 1980’s and the 1990’s.

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