In this part we will continue our journey through the history of mind control with the 1970’s where mind-control and CIA’s project MK Ultra is revealed to the public on their own terms to make it mainstream, fiction, and something of the past.
In part 5 we closed with the emerging Luciferian trend of Yoga that was once hijacked and perverted by Helena Blavatsky and Aleister Crowley and then popularized in the New Age movement.
In 1971, the dystopian crime film ‘A Clockwork Orange,’ based on a novel by Anthony Burgess, is directed and produced by Stanley Kubrick. It was released only two years after ‘2001: A Space Odyssey.’ While ‘2001’ was predictive programming of the staged and faked moon landing, and also ritualistic as to the birth of a ‘moonchild,’ as in a ‘Monarch Butterfly’ mind-controlled slave (Aleister Crowley’s Moonchild and ‘Butterfly Net,’) A Clockwork Orange is a satirical take on a dystopian future that has a youth subculture of extreme violence. The teenage protagonist, Alex, narrates his violent exploits and experiences with the state as they try to reform him using mind-control similar to the CIA and MI6 MK Ultra.
While ‘orange’ is code for, and reduce to ‘33’ in English gematria, it is also code for death and/or sodomy. In Scottish Rite Freemasonry, the 33rd degree is the highest degree, the Master Teacher Number, and it represents the pineal gland and rebirth through Luciferian sodomy (takeover of the soul.) In Aleister Crowley’s Thelema religion, the Eye of Horus is the same thing as the anus.
Thus, ‘orange’ is often used as a Freemasonic calling card in their staged events and hoaxes, but it can also refer to death or trauma-based mind control through sodomy and dissociation. Hence why Burgess called his novel, about mind-control, A Clockwork Orange. And as for ‘Clockwork,’ it’s symbolic for Saturn, their Sun God of the Saturn Cult, also known as father Time, the Greek God Kronos/Chronos of chronological time. Kronos devoured his own children (symbolism that led to children sacrifice.)
The protagonist Alex DeLarge, based on king Alexander the Great, was played by Malcolm McDowell (MM=33,) a mind-controlled actor of the Jesuit Saturn cult, used in the Hollywood film industry to promote violence, crime, and the Luciferian sodomy religion.
Also, during 1971, Werner Erhard (John Paul Rosenberg) creates Erhard Seminars Training (EST,) a cult similar to Scientology, also influenced by Norbert Wiener’s cybernetics. EST training is used in University High School in Hollywood, close to Laurel Canyon (location of CIA mind-control program.)
Werner was trained at Ford by Order of Malta operative Lee Iacocca, and in the 60’s he worked for Parents Magazine founded by Knight of Malta J Peter Grace.
Through EST, Werner trained celebrities such as Jerry Rubin, Yoko Ono, Diana Ross, Jeff Bridges, David Geffen, and Arianna Huffington.
In 1972, the movie The Godfather was released, the first in a set of three Hollywood movies directed by Francis Ford Coppola who was trained by Roger Corman of the Saturn cult to be one of the ‘New Hollywood’ directors like George Lucas and Kenneth Anger, all assigned to make Luciferian/Saturn propaganda.
The Godfather is based on the Gnostic mantra IAO (iaō) of growth-death-rebirth and glorifies the NY mafia and thus the Roman Empire. The movie was released on March 15, the death date of Roman Emperor Julius Caesar, an ancestor of the Jesuit Colonna family.
In all death scenes, Coppola uses the masonic orange sodomy symbolism. Also, the poster contains a cross used as the puppet master’s tool with strings and a red rose, as in the rose cross, the symbol of Rosicrucianism, the ancient school of abstract kabbalistic symbolism and wisdom of the Saturn cult, a predecessor to modern freemasonry. As the Rosicrucians were infiltrated and absorbed by the Jesuits in 1740, the symbolism of the rose cross and the puppet strings is simply the Jesuit Superior General (the Black Pope) being the puppet master.
1972 was also the start of the media ritual known as the ‘Watergate scandal,’ involving the administration of President Richard Nixon. It was staged with the Washington Post and media actors Katherine Graham, Howard Hunt, James McCord (CIA,) Doug Caddy of YAF, Jesuit Gordon Liddy, lawyer and Jesuit Daniel Sheehan, and the judge and Jesuit Eugene Sullivan.
The ritual ended with Nixon’s resignation on August 9 in 1973, the date of the 9:11 Sharon Tate ritual with the Charles Manson cult family four years earlier (covered in part 5.)
The media created a mystery story of five perpetrators who allegedly broke into the Democratic National Committee headquarters at the Washington, D.C. They are referred to as the Plumbers, as they were assigned to stop information leaks (the plum is also a masonic symbol.)
Nixon’s advisor Charles Colson (CC=33) was named as one of the Watergate 7, and he was a member of Beta Theta Pi, just like Ken Kesey (MK Ultra.) Colson went on and founded the Prison Fellowship and his role in the Watergate ritual was the subject of being Born Again.
After Nixon’s resignation, he was replaced by Knight of Malta operative Gerald Ford, a puppet to further the left-wing agenda.
In 1973, the movie American Graffiti by George Lucas was released, featuring the Laurel Canyon-trained and mind-controlled actress and singer Mackenzie Philips where she was used for a flirt scene at the meager age of 13. This was a continuation of the pop culture and the normalization of pedophilia and a kind of forerunner for all the upcoming Luciferian Disney kids-as-sex-symbols-acceptance movies and tv shows.
In 1974, the journalist Seymour M. Hersh of New York Times published an article that brought the concept of CIA spying and performing nonconsensual drug research into the public consciousness with Operation Midnight Climax (an operation by the CIA as a sub-project to MK Ultra.) This led to an investigation ordered by Gerald Ford in 1975 led by Vice president Nelson Rockefeller, from whom it gained the name of the Rockefeller Commission. That was a great mocking ritual, as Rockefeller belonged to the same family who funded the CIA and the mind control research. The Hollywood actor, Knight of Malta operative, member of the Bohemian Club, former California Governor and future president Ronald Reagan was also recruited for the investigation.
The commission issued a single report in 1975, touching upon certain CIA abuses including mail opening and surveillance of domestic dissident groups. It also publicized a fake report on Project MK Ultra, claiming that it was terminated in 1973, making it a thing of the past and something that could not happen under this new administration. The investigation was used to strengthen the publics view of government resolve, while creating a mist of mystery, fiction, and vagueness around the subject of mind control, making it mainstream and watered down, which was reinforced by the movies of that time; like A Clockwork Orange, and also Milos Foreman’s ‘One Flew Over the Cuckoo’s Nest’ which timely was released on November 19, 1975 after the Rockefeller Commission report. Also, November 19 was the death date of Charles Manson, the mind-controlled CIA agent, making it a perfect ritualistic release date.
The screenplay of ‘One Flew Over the Cuckoo’s Nest’ is based on a book of notorious CIA-agent Ken Kesey, involved in government mind control project MK Ultra of Gregory Bateson at Menlo Park, California. The book, including the movie, foreshadowed the mental health agenda of the totalitarian One World Government, as in the agenda of the United Nations and the WHO.
Also, during 1975 the Scottish-Irish family of Scottish Rite Freemasons, the Hearst family, orchestrates a ‘Manchurian Candidate’ media psy-op ritual where Patty Hearst pretended to be kidnapped by a dangerous left-wing cult, the Symbionese Liberation Army (SLA,) who then used ‘mind control’ on her and forced her to commit a bank robbery, all while she fell in love with her kidnapper Donald DeFreeze (Stockholm Syndrome.) She played the Babalon goddess archetype of Aleister Crowley’s Thelema religion, who tried to rob a bank with other cult members (similar script to that of Patricia Krenwinkel of the Manson Family.)
This media stunt was made to once again make mind control mainstream and to plant seeds on the right-wing of ‘MK-Ultra’ mind-controlled villains and assassins.
In 1975, the book ‘The Invisible Landscape: Mind, Hallucinogens, and the I Ching’ by CIA agent and propaganda writer Terence McKenna is published as part of reinforcing the drug culture and concepts of the Luciferian New Age movement.
McKenna’s writings are heavily influenced by Jesuits James Joyce and Marshall McLuhan, and also Aldous Huxley and Carl Jung, and by alchemy (as a psychological weapon.)
That is what I had time for this morning. In the next part we will continue with the 70’s and step into the 80’s.
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