Mind Control: Programming and Conditioning, Part 15

On June 16, 2015, Donald Trump announced his candidacy for the US presidency. As you might know from my earlier work, a fragment of the Papyrus 115 was discovered in 2005, giving an alternative number for Antichrist, for the Number of the Beast, and that number is 616, like June 16, as in 6/16. As I explained in my ‘The Great Reset vs The Great Awakening,’ the elites and their mind-control system always play on dualities, on two opposites on the same axis, as in left vs right, and as in two illusions. In the left-wing illusion, which is being played out as our “reality” as of this moment, Barack Obama is playing the role of the Antichrist while Trump is the Seventh King, however on the opposite axis, in the “opposition,” as in the right-wing, Donald Trump is playing the role of the Antichrist while Obama is the false prophet. Both of them play a role as a false savior Antichrist figure in a false hope narrative of controlled opposition.
It’s a fake battle of opposites on our world stage, where both are seen as ‘heroes’ or ‘saviors’ of their respective illusionary side, when in reality it is scripted theatre by the ruling families through the Jesuit Order, who worship the Sun God, Saturn, the Antichrist, hence both “saviors” are the Antichrist in disguise.

The day after, on June 17, 2015, the death date of Jack Parsons, the mass-shooting agenda roared its ugly head again with the staged ‘Charleston church shooting’ (CC=33.) Charleston was where the first American Freemasonic lodge was founded in 1734, the Solomon’s Lodge No 1. The lodge is located very close to the Freemasonic 33rd parallel and the alleged shooter, the crisis actor going by the name of Dylann Roof, was convicted of a ‘coincidental’ 33 federal charges.

2015 was also the year when the programming about Mars really took off with the movie ‘The Martian’ (Stranger in a Strange Land script,) and NASA claiming that they found liquid water on Mars. This programming was followed by actor Elon Musk’s SpaceX Mars program being announced in 2016.
Mars represents the Egyptian Sun God Horus in Aleister Crowley’s the Aeon of Horus, the age of the child, the last phase of the three steps to conquering Earth.
The Mars programming is also part of keeping the Jesuit Heliocentric model alive, the idea that Earth is a small vulnerable ball swirling through infinite space, a small ball with limited resources and land, that mankind is destroying it (the green climate hoax agenda) and that we need a refuge on Mars. It hides the truth that we live in an enclosed system and that the elite families are most likely hiding land and resources from us.

During November of 2015, the terrorist agenda was reinforced by a series of staged and faked attacks in Paris, France. The first was on the 13th of November, like Revelation 13:11, where a second beast came out of the earth with two horns like a lamb and spoke like a dragon. Also, the 13th Chapter of Revelation relates to the Masonic Killing of the ‘King Ritual’ known as “King Kill 33,” the Satanic sacrifice and ceremony mocking the death of Christ at age 33.
Remember, while most of their staged events have a purpose, as in moving towards an agenda, they are also coded and scripted rituals, as everything they do is ritualistic and tied to their beliefs and their history.
You can pick any event within the last couple of hundred years and it will be perfectly coded by the numbers. That is the power of their scripting, of their mind-controlled rule of this world. Yet, the majority of the population are deep asleep within their dream-matrix, the world stage illusion, believing everything that is presented to them to be real.

On December 22, 2015, we saw some incredible bad CGI, as SpaceX faked a ‘successful’ landing of the Falcon 9 rocket. It played as a badly animated cartoon with an added track of hysterical sheers from crisis actors, played for an adult audience, that due to their mind-control programming, believed it to be real.
Meanwhile, we who can see laughed as we had seen better computer graphics and display of physics in old computer games. But that is the programming of believing in authorities, like NASA and SpaceX. The same phenomenon can be observed with all the thousands of green-screen glitches and noticeable wires being used with NASA’s fake space station with the extremely bad actors playing the ‘space crew.’ The believers are blind and oblivious to every blatant clue that it is recorded in a studio. That is the power of mind control.

On January 10, 2016, the British mind-controlled singer and actor David Bowie was retired from the world stage. His initials DB is 4 and 2 in simple gematria, like 42, the value of Saturn and connected to rainbow Wizard of Oz programming, and the inversion of 24, the number of Jupiter, the divine masculine (hence his portrayal as very anti-masculine.)
Bowie was used in the film industry and the music industry to push the Crowleyan and Luciferian gay-transgender agenda and to erase masculinity, to normalize Multiple Personality Disorder, and to announce the staged and fake moon landing with ‘A Space Oddity,’ a reference to Kubrick’s moon movie ‘2001 A Space Odyssey’ with character Dave Bowman (also DB as in 42.)
As mocking of the sleeping masses, David Bowie played the role of a music executive during an interview about his own death on Sky News just days after him being announced dead. He even said, “when I look back at my career…” Still, those watching and trapped within the clutches of mind-control could not see that it was actually David Bowie himself and that he talked about himself in first person.
This was actually a tiny bit of ‘revelation of the method,’ as those playing roles on the world stage are mind-controlled with multiple personalities, they simply play a scripted character and as any character, it has a life-span and will eventually have reached its potential and will be killed off, as in retired. That does not however mean that the person playing that role is killed or retired. The living person and the character he or she is playing, are two entirely different things.

On January 24, 2016, the first episode of the renewed X-Files season 10 is aired with the title, ‘My Struggle (Mein Kampf.)’ The short 6-episode season is programming for the fake truth movement through ‘Tad O’Malley,’ an ‘Alex Jones’ look-a-alike character, who is an ‘right-wing’ webcaster, as in Infowars, Wikileaks, etcetera. As previous seasons, it’s also programming for the fake alien narrative and transhumanism.

The terrorist agenda marched on as a series of fake ISIS attacks are staged in Brussels, Belgium on March 22, 2016, as in 3/22, or Order 322, Skull and Bones Freemasonry. The staged attacks and ritual begin with a ‘suicide bomber’ at the Maalbeek metro station (MM=33) at exactly 9:11 a.m., as in 9/11. The ritual ended with the Brussels airport, the heart of Europe, as a symbol of the soul leaving (airplane) the heart (airport) and travels up the ladder.

In late May, 2016, Tim Burton’s ‘Alice Through the Looking Glass’ is released, featuring the ’Red Queen,’ the new villain replacing the Queen of Hearts from the story’s predecessor, Alice’s Adventures in Wonderland. The movie, connected to the ‘Queen of Hearts’ through it mind-control symbolism is released only two months after the ritualistic staged attack on ‘the heart of Europe’ (Brussel’s airport.)

On June 12, 2016, the Islamic terrorist scare continued with the staged Orlando shooting at the Pulse nightclub, a reference to Roman Polanski’s movie Repulsion. The attack is carried out by the character ‘Omar Mateen (ee=33,)’ played by an actor who also played in ‘The Big Fix,’ about the 2010 BP oil spill, aka., Deepwater Horizon oil rig spill.
The crisis actors seen on TV after the Orlando shooting all were dressed in pink and purple, wearing red shoes, the colors of dissociation used in Alice in Wonderland mind control. Also, the crisis actors were seen carrying “victims” towards the club instead of away from the club, very much as in the staged and fake Las Vegas shooting ritual, an act used to mock the ignorant audience.

On July 16, 2016, the first season of Stranger Things was released on Netflix. The show was set in a 1980’s universe focusing on children, giving them ‘adult-like’ qualities as saviors. It was developed to normalize and neutralize information about mind control projects by blending small grains of truth with fiction, and their dream of opening portals to the Abyss of Revelation 9:11 and the fallen Angels. In this sense, it plays on the CIA psy-op ‘Project Montauk’ which supposedly took place during 1977 to 1980 in Camp Hero, Long Island, NY, and used to spread disinformation about mind control, time travel, telekinesis, dimensional portals, and extraterrestrials (as in reptilians and greys) – as a distraction from the real mind control projects that were running and being used on ‘celebrities’ and also on the sleeping masses.
Stranger Things is full of mind-control symbolism, including the Monarch butterfly, the white rabbit (Alice in Wonderland,) the blonde wig (mirror alters, a second self that is the opposite) and the owl (hidden knowledge.)
The gender-neutral hero of the series, ‘Eleven,’ representing the transgender agenda, is often seen doing imitations of Baphomet, as in the sign of Judgment (two fingers pointing upwards to the heavens.)
They also introduce the concept of the ‘Upside Down,’ which simply is the inverted Tree of Life, the other side, the Hermetic maxim of ‘As Above, So Below,’ used in Satanism and with the Baphomet.

That is all I had time for today. As the ongoing renovations of our ventilation system is pretty much standing still, and I haven’t had any ventilation in over two months, the heatwave we just had thus really screwed with my sleep and my work space environment. I’ll continue with 2016 in the next part, where we will look at the big Hillary Clinton vs Donald Trump ritual, the scripted reality game known as ‘Pizzagate.’

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