In this part we will continue our journey through the history of mind control through the 60’s, which were heavily influenced by the Marxist pop culture with fake liberation movements and drugs, that really started to shape and lay the foundation for our current culture.
In the last part we closed with Henry Luce, the founder of Time Magazine, using his new Life Magazine to promote magic mushrooms in 1957, paving the road into the 60’s.
In 1961, the CIA agent and science fiction writer Robert A. Heinlein publishes Stranger in a Strange Land. It tells the story of Valentine Michael Smith, the only survivor of the first manned mission to Mars, who is raised by Martians and arrives on Earth as a true innocent. He challenges customs relating to sex, death, religion, and money. The novel is simply programming for the very Jesuit vision of a One World Government/Order, and to kick off the science fiction programming of space for the sleeping masses. The same script used in Gene Rodenberry’s Star Trek.
The CIA begins to ‘train’ children of military families in Laurel Canyon at Lookout Mountain to become “pop stars” and ‘icons’ of the music industry and to be used in the fake sexual liberation movement of the left-wing, based on the ideology of the Cecil family’s occult and Satanic puppet Aleister Crowley.
Laurel Canyon is a neighborhood in the Hollywood Hills in Los Angeles that was used for a mind-control project by the CIA to create the hippie counterculture of the 60’s. In Greek mythology, Daphne rejected the love of Apollo and when the god Apollo pursued her, she prayed to the Earth, her father to rescue her, whereupon she was transformed into a Laurel, as in ‘Laurel Canyon.’
Apollo is worshiped by the Saturn cult of the Catholic Church and the top of the Elite families as an inversion of the sun, i.e., the Black Sun which is represented on the ‘IHS’ logo of the Jesuits, to destroy the spiritual and conquer and blacken the soul through mind control, using the means like mercury poisoning (the splitting the mind, as we covered in the first part.)
Among the ‘icons’ produced by CIA’s Laurel Canyon project, we see names such as actress Angela Lansbury, Brian Wilson (The Beach Boys,) Cass Elliott (The Mama’s and the Papa’s,) Charles Manson (the Sharon Tate ritual and The Beach Boys,) Clarence White, Gram Parsons and David Crosby (The Byrds,) actor Dennis Hopper, musician and actor Frank Zappa, Harry Houdini (escape artist,) the ‘godfather’ of punk Iggy Pop, singer Janis Joplin, Jim Morrison (The Doors,) blues musician John Mayall, actress Natalie Wood, folk singer Philip David Ochs, producer Rick Rubin (Slipknot, Eminem,) movie producer Steven Spielberg, actress Sue Lyon, pop groups The Monkees, The Eagles, The Beach Boys, The Doors, and Wulf Zendik (the Zendik Farm sex cult.)
In the meantime, Alan Trist, connected to the Tavistock Institute, and CIA-agent Ken Kesey works with the early bandmembers who later became The Grateful Dead in 1965. This takes place in another CIA-controlled neighborhood in San Francisco called ‘Haight-Ashbury,’ that was used in the 50’s to create the Beatniks movement, and in the 60’s for the hippie counter-culture movement. In the beginning, Haight-Ashbury was a center for the Beatnik poets, as ‘Beats’ is associated with Saturn, The Beast of Revelation. Beatniks were members of a social movement in the 1950’s and early 1960’s who subscribed to an anti-materialistic lifestyle. They rejected the conformity and consumerism of mainstream American culture and expressed themselves through various forms of art, such as literature, poetry, music, and painting. It was an early experiment in de-masculinization, as in removing ‘toxic masculinity,’ weakening the male sex.
Among the ‘icons’ produced by CIA’s Haight-Ashbury project, we see names such as musician Leonard Cohen, musician Jimi Hendrix, Peter Bourne (Civil Rights Movement, WHO/UN,) propaganda writer Hunter Stockton Thompson, critic Ralph Gleason (Rolling Stone Magazine,) and cartoonist Robert Crumb.
In 1962, Columbia Records, the record label controlled by the Jesuit Italian Colonna family and used as a propaganda tool in the cultural Marxist agenda released Bob Dylan’s debut album. Bob Dylan was a Jewish folk singer used as part of the CIA-controlled Civil Rights Movement and the counterculture of Greenwich Village (to push the Luciferian gay agenda.) Bob Dylan was one of the first white musicians to perform with black musicians and wrote some of the most influential protest songs of the 1960’s, including “Blowin’ in the Wind” and “The Times They Are A-Changin’.”
On October 24, 1962, John Frankenheimer’s movie The Manchurian Candidate is released (MC, as in Mind Control.) The movie is based on a novel of Richard Condon, who worked for the Jesuit Max Youngstein, and is about a mind-controlled assassin that shoots the president. In other words, predictive programming for the upcoming JFK ritual, and also used to strengthen the idea of mind-controlled killers among ‘conspiracy theorists,’ making them believe that the shooting hoaxes are real.
The film’s leading actors are Knight of Malta Frank Sinatra and mind-controlled actress Angela Lansbury.
In late 1962, the CIA also founds the Esalen Institute in California as a ‘retreat-’ and ‘alternative education center’ as a part of the ‘human potential’ movement of the Satanic New Age cult, which also served as a counterculture of the 60’s. The Esalen Institute was heavily promoted in Time Magazine and the NY Times. It served as a super store of therapies with the New Age theme of egocentrism and being your own god. It is closely associated with other CIA/MI6 fronts such as the Tavistock- and California Institute for Integral Studies.
In 1963, the first album of the Beatles is produced and released by Jesuit George Martin. The Beatles were an English rock band created by the Tavistock Institute used in the music industry for the cultural Marxist program of ‘Pop culture;’ a masonic mystery religion, to gradually move towards more open forms of Satanism/Luciferianism.
In 1964, as a publicity stunt, CIA-agent Ken Kesey (from the MK Ultra Haight-Ashbury project) and his friends, the Merry Pranksters, took a road trip across the United States in a psychedelic painted school bus called Furthur. The Merry Pranksters spread the gospel of freedom, non-conformity, and enlightenment through the wonders of LSD as part of the hippie counterculture and fake sexual revolution of the 60’s.
In 1965, the mind-controlled producer Terry Melcher of Columbia Records produces The Byrds, a product of the Laurel Canyon Project, and tout them as the new Beatles. The Byrd’s second album, released on December 6, 1965, features a deep blue cover, as in ‘Byrds’ and ‘Blue,’ or like ‘Blue Bird,’ as in Project Bluebird, the original and first CIA mind-control program before MK Ultra.
In Britain, the Jesuit- and MI6-controlled propaganda tool BBC start airing ‘Top of the Pops’ as Pop culture programming for the youth with Roman Catholic media actor Jimmy Savile (papal Order of St Gregory) and actor Jonathan King (who was used to promote and normalize ‘swing youth’ of self-indulgence and the gay-transgender agenda.)
And speaking of actor Jonathan King, during 1965, just like Laurel Canyon, Haight-Ashbury, and Greenwich Village, a project is set up in London to create the ‘Swinging London’ scene to further break down the structure of western civilization. Swinging London was a MI6 and Tavistock project in alliance with the Beatnik movement of the 50’s and the hippie counterculture of the 60’s. This culture also emerged in Germany and then spread throughout Europe. It introduced trends like miniskirts, go-go boots, thick eyeliner, razor-thin suits in multiple colors, and long feminine hair for men.
In essence, it was a project to manipulate the slave public, especially the youth, using mind-controlled celebrities within music, TV and magazines to create a superficial and hedonistic mindset, constantly distracted by pop culture and consumer culture, as in fashion trends, drugs, partying, neglecting education, knowledge and generational wisdom, and erasing the ability of self-sustainability and creativity.
Swinging London, aka., ‘The Swinging Sixties’ later became the main theme behind the Mike Myers’ Austin Powers movie character.
In 1966 Time Magazine promotes the Swinging London Scene with the Swinging City cover. MK Ultra researcher Richard Helms, who trained under Jesuit Lyndon Johnson, becomes the director of the CIA. The CIA also founds the cult ‘Process Church of the Final Judgement,’ which was based on Church of New Revelation in Heinlein’s Stranger in a Strange Land, the Diggers Collective, and the Church of Satan in San Francisco with provocateur agent Anton LaVey.
CIA also founded the fake black liberation movement ‘Black Panther Party,’ based on the animal of Dionysus that represents the Beast of Revelation (666,) as in Saturn, the Sun God.
CIA also starts testing LSD and other drugs on the population through shops in San Francisco.
Swedish filmmaker Ingmar Bergman makes the psychological drama ‘Persona,’ about twinning, as in creating mirror alters (Multiple Personality Disorder,) with Liv Ullmann and Bibi Andersson as the role of ‘Alma.’ The movie is released on August 31, the same date as when princess Diana is allegedly killed in the ‘Alma’ tunnel 31 years later.
And that is all I had time for this morning. We will continue in part 5 where we will continue with the New Age movement of yoga, and the Woodstock festival ritual that served as the blueprint of the summer festivals normalizing hedonism, drug abuse and the gay-transgender agenda.